https://hdl.handle.net/10680/1616 2022-07-20T21：12：16Z https://hdl.handle.net/10680/1633 移动字符，移动文本：当代文本中的无家可归和互文性，年轻人雷默（Mavis） 2013-01-01T00：00：00z https://hdl.handle.net/10680/1632 ‘“没有家庭”：当代年轻人的无家可归者的事实和人物Reimer, Mavis The most common story for children is one in which a central character leaves home in search of an adventure or is pushed out of an originary home, journeys to an unfamiliar place, and, after a series of exciting and/or dangerous experiences, either returns home, or chooses to claim the unfamiliar space as a new home. Whether as historical novel, domestic fiction, or fantasy, this story finds its happy ending in the agreement of the child to be secure (and secured) inside. The turn of the millennium, however, has seen an increasing number of narratives for young readers that challenge the earlier pattern. Using three Canadian novels for young people (published in 2004, 2006, and 2007) as examples, I demonstrate that, while these narratives may locate themselves within the context of a social-justice pedagogy and are concerned to teach young people the facts of homelessness and to promote thoughtful reflections on the underlying social causes of which homelessness is the symptom, readers are also invited to understand the young characters in the text more abstractly, as figures that represent possible ways of being in the world. Indeed, many of the recent narratives for young people replicate, almost uncannily, the metaphors and rhetorical turns of the theorists of globalization. 2013-01-01T00：00：00z https://hdl.handle.net/10680/1631 权力和无能为力：阅读有关强大的Morphin Power Rangers Reimer的争议，Mavis Dans Cet Essai，Mavis Reimer fait l'Analyze dudébatde 1994 qui aentraînél'annulationde iasérieTerieTéléviséeTélévisée。塞隆·埃勒（Selon Elle），celui-ci nous Actuction sur sur notre感知。En Effet，Selon LeveresThéories当代人，LaLittératurePour la jeunesseintérioriseles关系de pouvoir entre entre les les les les parents et leurs enfants;或者，dans ce cas-ci，les parents se sontperçuscomme sansdéfense。l'auteur nous confiedoncànous审讯者sur lesrépresentationsculturelles de ce ce ce ce rapport de force。在本文中，马维斯·雷默（Mavis Reimer）分析了1994年关于取消强大的吗啡力量护林员的辩论的言论，以告诉我们有关当代加拿大关于童年和“孩子”的假设。最近的批评家和理论家将儿童文学读为在成年子女关系的代表和生产中复制帝国主义的实力结构。然而，在这场辩论中，成年人认为自己是无能为力的。雷默（Reimer）邀请读者考虑这种代表可能有哪些文化功能。 1998-01-01T00：00：00z https://hdl.handle.net/10680/1630 记录[社论] Reimer，Mavis 2015-01-01T00：00：00z